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Karavel: Gate and guide of the voyage/sale of plane tickets and s?urs. The most picturesque C.est and the oldest bridge of Florence. It was only the?tre?rgn?ar the Germans during the second world war. D?uit for the premi? time in 1333, it was rebuilt in 1345 by Taddeo Gaddi. It failed dispara?e again at the time of raw of 1966. Situ? l.endroit o?e river is more?oit, it is r?rv?ux pi?ns and edge?.. With the origin, butchers, poissoniers and tanners occupied the places. Those jettaient the d?ets of their trade in l.eau of the river. Indispos?ar din and stench, the duke Ferdinand I, consid?s like commer?ts with the noble activit?plus, s.y install?nt. They pay?nt.le double du.loyer pr?dent and increased the?oppes by multiplying the corbellings. In end d.apr?midi, the ton.ocre of the stones refl? in Arno. On the bridge r?e then a atmosph? soft and peaceful. In the center the bronze bust of the c?bre orf?e... One draws up has a pretty sight on the city, l.Arno and the bridges in row, known as. of Vasari.. (of the name of l.architecte)?elier the gallery served of the Offices with the Pitti palate on other bank of Arno. to pass from one?' b?ment other without?e considering. Built in 1565, this corridor a?en curves?ravers the city on more d.un kilom?e. The cin?iles.se rappelleront.la s?ence of the Paisa film, Roberto Rosselini. Partisans and Germans are affront?sur.la footbridge. Does this one contain today a v?table gallery of tables and compl? the visit of the Offices. 700 works are expos?, including one s?e of portraits. On the walls are align?des self-portraits of Titien.et de V?n?. At the end of the bridge, one acc? with the gardens of B?li. ?, are the banks occup? by Florentins in qu? of sun. Is the vault worth the visit for its frescos miraculeusement?rgn? by the fire of 1771. The Romance?ise of Dyes with carmine was d?uite in these circumstances. It is the occasion to d?uvrir the techniques.de the fresco is d?cate: the artist draws the reason with the charcoal then to the red pigment. Another layer is destin??' application of the colors. The artist cannot improve any more the colors, which were?aircissent while s?ant. This technique will be abandonn?au profit of the technique.sur dry wall - -.plus fast but less r?stante, that the time of exp?menter Masolino and Masaccio did not have. Do the murals have successively? r?is? par..Restaur? with the d?t of the ann? 80, they recall them. Masaccio is distinguished from Masolino by the treatment of its subjects. It allots?ve a dramatic expression intens?nt. The caract? psychological of Sc? is a nouveaut?n painting. The work of Masolino is, as?lle, tr?classic. The premi?s stones of ce.palais monumental, of Renaissance style, were pos? in 1458. Was Command?ar a family of commercial rich person, Pitti, l'?fice several times remani?L' Brunelleschi architect had D? propos?es m?s?osme plans the Old one, which had them refus?.Petite anecdote: ?fi?ar of enthusiastic adversaries of M?cis, le palate became their place of r?dence thereafter. It was indeed rachet?ar El?ore de Tol?, ?use of Cosme I During three si?es, le palais.fut habit?ar.les large-dukes of Lorraine (of 1560?859). One owes the current, long fa?e 200 m?lfonsi Parigi. Were the two wings addition? to the XVIII. Today, the palate shelters several driven?. expose pi?s cr?s for the majority in the workshops florentins. The salles.sont d?r? frescos of horn-the eye r?is? by artists of the XVII. si?e, in particular the work of Fran?s Duquesnoy, an ivory relief with. The room of the crystals contains pi?s?nnantes like the vase in lapis lazuli mont?ur gold by the orf?e of the court, Jacques Bilivelt. It is the occasion to admire typical fabrics of painting florentine, little repr?nt?dans the gallery of the Offices. Range of white, brown and dor?utilis?conf? ?' work a great harmony the influence of Vinci is ind?able. Rapha?adopta the technique of contours impr?s of the artist, ex?t?pendant the Roman p?ode of the artist, is consid?e his work most harmonious. Note the circular motion, favoris?ar the composition in round, the faces soft and serene are mainly pr?nt? in the rooms of V?s and Apollo contrasts with the color of the v?ments. Does Titien have ex?t?e portrait of Ar?n, Po? v?tien. Note the glance per?t of the character. You will d?uvrez the places of life of the three families which r??nt on Tuscany: M?cis, Habsbourg-Lorraine and Savoy. It is the occasion to re-examine the history of this r?on Italian. In the clean room the balls took place. Are the glosses and the stuccos of XVIII..Toutes the rooms d?r? tapestries. Vous.remarquerez also portraits of Justus Sustermans, official painter of?que the m?c?ne. of Carlo Dolci and its framework richly d?r?Arr?z you in the room of the parrots. This one owes its name with the reasons which decorate silk hangings. The portraits of Marie de M?cis and Henri IV are accroch?au-top of the doors is consacr??a Tuscan painting of the XVIII. Is the n?lassicism repr?nt? through fabrics of Andrea Appiani, Pompeo Batoni or works of Casanova, official sculptor of the first Empire. The fabrics of Guiseppe Bezzuoli illustrate the romantic p?ode. This painter int?ssa?es prone histories and chivalrous. R?ism of the bronze deux.statues ", est.repr?nt? through works of several "tachist". These artists manifest?nt a refusal of the drawing and form with the profit of the effect (spot) became a new fashion of composition to reproduce "the impression of truth". Do you delay on the fabric intitul? Another "tachist" painter: Silvestro Lega.: the colors sharp cancel contours and conf?nt?' work a?nnante suggestivit?Avant to go down again, do not miss the sight on the city, les.jardins B?li and the hills around. Does the palate shelter also the mus?des Carrosses, the mus?de the porcelain and the gallery of the Costume, which recalls the history of the fashion, of the corsets aust?s of the XVIII si?e to the skirts of the ann? 1920. Id? for ressourcer apr?la visit of the Pitti palate. One of the most beautiful gardens "?' Italian". It has? am?g?n 1549 by the landscape gardener Niccol?ericoli, known as "Tribolo"?a request for Cosme I Ammannati and Buontalenti took again the plans of dead Tribolo apr?sa. In this garden f?ic succ?nt fountains, caves, statues out of marble, cherubs, terraces and all? of cypr? Isn't the character?alifourchon on the tortoise Bacchus, but le.nain of court favourite of Cosme I M? if the prohibited entr?est due to vandalism, admire the fa?e of Vasari. If the fountains intrigue you, arr?z you devant.celle of Artichoke: it carries the nom.du l?me which crowns it in which?ient c?br? the f?s m?c?nes. The Roman basin comes, as?lle, of the thermal baths of Caracalla?ome. In do the content draw up the statues of the Roman emperor Septime S?re and C?s..Cette derni? presses the centres: it is divinit?rimitive fertilit?t moissons..Tout pr?de l?ne miss pas.le living room of th?ococo con?par Giovanni Rosso. You will appr?erez to make a halt within this d?cieux framework?ominante red. Terrace, your glance embrassera.toute the city. In the prolongation of the amphith?re the fish pond is held of Neptune. The fountain of the m? name is orn?d' a sculpture of God of la.Mer..Continuez until the end all?pour to admire it the sight on Florence and its surroundings. The porcelain amateurs will go to the mus?situ?ans it. This all?majestueuse, bord?de cypr? m? with the watery garden imagin?ar Alphonso Parigi. In the center, a?t, "the isolotto", abrite aussi.la fountain of Oc?. Water of the Nile, Euphrate and Gange is d?rsent in the basin symbolizing Oc?. Benefit from this walk to observe diff?ntes esp?s birds (wagtail, huppe, gobe-fly, geai) and?uter their songs in spring. Green lemon trees, orange trees, ch?s, c?es of Lebanon or cam?as will make the happiness of the grass botanists. You will surprise can -?e of the?reuils, of let us h?ssons or the long pitchforks. Piazza della Signoria?a piazza Santa Croce This mus?renferme most beautiful and the richest collection of tables of the Rebirth. The wing east shelters a embl?tic room enti?ment consacr?au painter of Renaissance.en Tuscany. illustrate?erveille the po?que lyricism of the painter. You will be? by the gr.? and fragilit?manant it of the first table. Botticelli paints mythological subjects. One reconna?ses works?a fluidit?e their lines, Z?anger, Olori, Flora, V?s and its Cupid son is driven in the orange grove with a gr.? d?cate. Of this room, you will acc?rez?' space r?rv?. This one drew all its reasons before painting them is repr?nt??ravers several tableaux..La sensibilit?e the artist is clearly perceptible.?ravers his fabric. The malicious glance of the one of the two angels will hold your attention. The veil of the Madone.flotte young person to the wind, devant.la fen?e open on the world, Filippo Lippi seeks?mpliquer the spectator: are the figures of the monk and the angel?roite, tronqu? afin.de.cr? a bond between Sc? work and the world ext?or. With C? of are this room expos? some works of the fr?s. Two small tables of Antonio Pollaiolo - -.frappent by the dynamism of their movement. Is the artist, attentive?' human anatomy, livr? of v?tables?des on the body. It reproduces with accuracy the forces of nature. The muscular power of the h?s and the bestial grimaces of the faces are accentu?. These paintings on bois.sont relics in small size (17x12 cm) of the large fabrics of the painter r?is? for the M?cis palate. If the M?cis family intrigues you, rejoignez salle.regroupant it the portraits of several of her members. Cosme the Old one, Laurent Magnifique.et El?ore de Tol? will be?amais registered in your m?anger. In the western wing, do not miss works of. The sensualit?u naked is registered in margin of painting florentine of the?que one. est a beaut?harnelle anthem?a of the woman. and those of Florentins, one approaches the second Rebirth (the XVI torsion of the Virgin, in table intitul?Vous will be frapp?ar the vivacit?es colors. The drap?des v?ments and the muscles gonfl?de life of the subjects could as well?e reproduced in sculpture the eyes baiss? of mani? ?e that it is impossible to cross its glance. This one had to be able it to change all?e human into stone, of a simple glance. Does the Gothic palate of style have? ?fi?ur plans of Adolfo di Cambio between 1298 and 1314. You will notice the absence of fen?es on the level inf?or. The palate was transform?t increased on the request for Cosme I. M?cis settle then with the Pitti palate. The int?or Rebirth, raffin?contraste with the aust?t?e the ext?or. has? remade by Michelozzo and d?r?par Vasari a si?e later. The artist has habill?es columns of stucco dor?t orn?es vo?s of frescos. out of bronze, sculpt?ar Andrea Verrocchio. Since 1872, b?ment the h?l town of Florence shelters. Do not h?tez?rimper in top of the tower to enjoy the panorama on Florence. One acc? au.premier?ge.par a beautiful staircase con?par Vasari. is d?r?par Vasari?a glory of M?cis and Florence. On are the frescos repr?nt? the victories florentines.contre Pise.et His is repr?nt?ouronn?t entour?' angels?' image of one divinit?Attardez you in front of the marble statue of. It acts of a secret study auquel.il had acc?seulement by its room. You will understand quickly that a F int?ss?tait it? of alchimie..Au ceiling is repr?nt?e myth of PROM??: wink of the victory of the man on nature. Others?ments - Water, Air, Earth, or Fire - are?qu??ravers the progr?de alchemy, and g?ralement of science a beautiful sight on the?ise Santa Croce offers. Are the ceiling repr?nte Saturne.d?rant his/her children), the cupboards d?r? charts of the world r?is? by Stefano Buonsignori and Ignazio Danti, astronomer-g?raphe. The 55 charts of the world give us pr?euses information on the sea routes of the XVI. These d?rations t?ignent of the int?t of Cosme I ex?t?ar Danti:.il would be largest of the?que one. It acts of lily fran?s, to underline the bonds which linked the two countries. The door frame, surmont?' a statue of Jean-Baptist saint, and the ceiling let us?aissons gold and blue holds the attention. The room shelters also the sculpture out of bronze of Donatello. a copy is expos?devant the palate. The room of the Lilies gives acc??a Tour Arnolfo, which offers a beautiful panorama on the city, whose name does not miss cynicism: it means "small h?l". , on the piazza della Signoria, Michel-Angel shelters?? fountain of Neptune d' Ammannati. Both repr?ntent a murder and incarnate the libert??blicaine. Are other ancient sculptures or Rebirth (or their copy) expos? in this small mus?en full air:. M?se, glaze of snakes, changed into stone whoever crossed its glance. The refinement of the d?ils of the base recalls that the artist?it also a orf?e r?t?Jean Bologna expresses the young man power, old age and the fragilit?e the woman. Will the amateurs of sculpture appr?eront this driven? high place of the Italian sculpture of the Rebirth aust?, ?fi?n 1254, was used as prison during three si?es. The cells were cut down in XIX..Aujourd' today, b?ment shelters a collection of Tuscan sculptures of the XIV. It is?ette p?ode which the?fice is transform?n..La court bord?d' arcades was used as place of ex?tion. Under M?cis, that which entered in Bargello did not come out from it alive. On are the walls reproduced the blazons of the podestats (first magistrates) and of the judges of, turn o?taient d?s? anonymous d?nciations. With rez-of-chauss? are the rooms consacr? with works of Michel-Angel and?a sculpture florentine of the XVI. The artist translates intoxication?a perfection: pose wavering, vitreous oeil, heavy arm. Bacchus is accompagn?' a merry satyr translated the go?du sculptor for the firm bodies of the teenagers. ?ge, the loggia shelters the animals of Jean Bologna (eagle, turkey, peacock, owl). It is one of the first naked ones of the?que one. The beaut?e this young man with the body smoothes surprend..Ne do not miss the terra cotta?ill? of Luca della Robbia. With the m? ?ge, a room exposes a collection of..Attardez you on the?iquier of the Burgundian?le, pr?nt?n window. Derri? the n?othic fa?e, out of white marble of the XIX si?e, hides a int?or particuli?ment?gant. The Commenc?en 1294.et achev?en 1443, Santa Croce.est most important des.?ises franciscaines of Florence. It is also richest in works of art. One can only?e frapp?ar his size imposing and by the sobri? d?r. the?fice is?air?ar verri?s with the tonalit?chaudes. You will be able to admire the frescos there of. The premi? sc?s life of Fran?s saint is d?r?des. It contains the Crucifix out of wooden of Donatello. Under the vo? are repr?nt? three virtues of Franciscains:. The second vault shelters sc?s of the life of Jean-Baptist and of Jean Evang?ste. si?e, these fresques.furent covered?a lime. Art m??l?it?'?que, consid? like barbarian. M? if these frescos are in bad?t, you will distinguish. This?ise is Panth surnomm?le? Italian of famous men: Browned L?ard, one of the large humanistic florentins, Po? Ugo Foscolo or the c?bre Rossini musician. Con?par Vasari, it is orn?e statues. Those symbolize arts: painting, sculpture and architecture vault?roite, c?bre Nicolas Machiavel, the c?bre political du..Homme author as much as philosopher, Machiavel.d?loppe?ravers this work its vision of art to control. Does the first clo?e give acc??a..La family of the m? name, which ordered construction, fut.d?m?par le.Magnifique.avant Laurent that the vault is not achev?.L'?fice has? built according to the plans of Brunelleschi. Note the r?larit?es volumes g??ic, the columns Corinthian and the effect of lumi?, who conf? ?' space an undeniable harmony. The chapelle.du choeur.renferme of the frescos?nnantes of Agnolo Gaddi. Seth, the son of Adam and Eve, would have plant?n branch on the tomb of its p?. This branch pushed and provides the wood of the future cross of Christ. The second clo?e, built to?artir plans of Brunelleschi, is one of most beautiful of the city. Vous.en appr?ez calms it and the harmony before leaving the vault. The?ise has? ?fi?selon the plans de..La cupola is the work of Antonio Manetti.qui took the dead relay?a of Brunelleschi in 1446. It is one of oldest the?ises of the city and the old parish of M?cis. The ceiling let us?aissons door the?sson of the family. The new sacristy shelters the drawings of Michel-Angel. The artist?it charg?' to complete the fa?e?fice apr?la died of Brunelleschi. It r?isa finally only the face int?eure. While entering the?ise, one is frapp?ar the luminosit?onstante, by the jeu.du gray bleut?es?ments and the white of Cr?. The?fice resembles more?n ancient temple that?ne?ise: Corinthian columns, pilasters cannel? One reference mark? also d?ils of Romance structures, like the Roman arches, you will observe the pulpits orn? low-reliefs out of bronze is a beautiful example of the architecture of the Rebirth. The g??ic proportions of volumes are perfect and return space harmonieux..Les battants.en bronzes doors of the two small vaults m?tent the glance. The artist has also r?is?es two pulpits. The sc?s repr?nt? ?sodes of the life of J?s?quent, without respecting the chronological order. Notice the quatres statues which decorate the tombs. It m?te the visit for its architecture: b?ment has? r?is?ar Michel-Angel. It contains?ments that one finds g?ralement on the fa?es. Les.fausses fen?es encastr? dans.les murs.et les.doubles columns him conf?nt a caract? strange?nnant, a vol?de steps is constitu?'?rgissant itself downwards: they?quent d?rlement eaux.d' a cascade..L' staircase has? ex?t?ar Ammannati, of apr?les drawings of Michel-Angel. Room of reading, you will retain the effect of prospect engendr?ar the g??ic lines. The pavement of?que, out of terra cotta, is the work of Tribolo?ui one owes the gardens of B?li?lement. Are some manuscripts expos? among which autographs of P?arque, Machiavel.et Michel-Angel. Does Santa Maria del Fiore (Duomo) the cath?ale occupy all the space of the small place of the m? name. It owes its renomm?au D? who the cap and was built?' site of the old basilica Santa Reparata, according to the plans of Arnolfo di Cambio and Francesco Talenti. Work commenc?nt in 1296 and achev?nt in 1368. Does the cupola go back to 1466 and fa?e current A? r?is?au XIX. The caract? imposing of the?fice leaves the admiring visitor. The int?or d?ncerte by his simplicit?t his sobri?. On does right-hand side while entering, the bust of Brunelleschi have? sculpt?ar one of its?ves. of Sainte-R?rate by the staircase situ?ans the central nave. You will d?uvrirez the remainders of the?ise of the XIII si?e, formerly constitu?de three naves. In one of the wk.?, arr?z owe you the fresco of Domenico Michelino, painted in 1465. Dante is there repr?nt?xpliquant its work. Are the naves lat?les to?air? by splendid stained glasses. , de vast apses shelter five vaults. The vertiginous cupola is covered by a fresco repr?ntant the last Judgement, Brunelleschi r?isa, in fifteen years, a v?table architectural prowess. It is one of the major r?isations of the Rebirth. Does the architect have r?lu the probl? what posed the height of the frame - approximately 100 m. The provision of bricks, out of rafters between the marble ar?s, makes the frame self-supporting. The marble lantern, culminating?06 m, emp?e the structure of?rter. Do not h?tez?rimper until in top of the m? if the rise is d?cate and tiring - 463 steps. You will be r?mpens?ar the unspoilable view on Florence. This cath?ale, without turn nor bell-tower, is flanqu?d' one. It fut.construit according to plans' of Giotto. The artist, died before the end of construction, ne.supervisa que.la r?isation of the base and of let us m?illons hexagonal, sculpt?par Andrea Pisano and Luca della Robbia. This construction, a 84 m height, strikes us by his?gance. The marble conf clart?u rev?ment? a l?ret?.la turn, couronn?par a beautiful corbelling. Do the last three?ges have? r?is?par Talenti. The Florentin Gothic is expressed?ravers the g??ic d?ration and the abundance of the horizontal lines. Most courageous?charm the 414 steps will not h?teront to admire the sight on Duomo, the baptist?, the city and the countryside around. It is a?fice octagonal rev? of white marble and sinks, universally known, are a beautiful example of the sculpture of the Italian Rebirth. Andrea Pisano, artist pisan, r?isa leaves of the southern door between 1328 and 1338. The reasons dor?conf?nt?' together a somptuosit?ors of the commun run. Those of the northern door are works of Lorenzo Ghiberti. Is the life of Christ retrac?d' a mani? narration. Cloth? the rates/rhythms, the installations of the characters point out the Roman low-reliefs. Ghiberti?lement has r?is?es leaves of la.porte is, surnomm?par Michel-Angel ". It is located opposite the entr?du Duomo. Several sc?s of the Old Will is reproduced: cr?ion of Adam and Eve, Arch of No??sodes of the Mo life?. The prospect horn-the eye is seizing. The int?or of the baptist? m?te the d?ur for its mosa?es. They paper the cupola and are pr?ntent in concentric registers: the Last Judgement, Gen?, life of Joseph, life of the Virgin and J?s and life of Jean-Baptist saint. The mus?de the uvre of the cath?ale contains pi?s which were?' origin in the cath?ale, the bell-tower et.le baptist?. This visit compl? perfectly that of the monuments. The artist is repr?nt?ous there the features of Nicod?. It destinait.cette sculpture out of marble?a proper tomb. Rez-of-chauss?pr?nte the mat?el whose Brunelleschi.pour construction served of the cupola: ?erre with the carriage to transport the tools. The low-reliefs which d?raient the campanille or it "carries paradise" of the baptist? are?lement expos? Situ?sur the place of the m? does name, this?ise have? ?fi?au XIII. The?fice reference mark? ?on?gante fa?e covered with green and white marble reasons g??ic. It is a beautiful example of esth?que florentine. On the bas-c? left, the uvre of Masaccio, (1427) is one of the premi?s applications of the prospect in peinture..Elle A marqu?ne?pe important in art for the Rebirth. The repr?ntation of the columns and the vo? Cr allows? an effect of depth. At the bottom, the frescos of Domenico Ghirlandaio cover it. Would the members of the Tornabuoni family have? its mod?s. Giovanni Tornabuoni?it the uncle of Laurent the Splendid one. The chorus is entour?e the Gondi vault and of the Strozzi vault. The premi? shelter a crucifix out of wooden of Brunelleschi. The second m?te the glance for its frescos moyen?uses. Those report sc?s of the Old Will. M? if they are badly conserv?, you lean sur.le. The effects of prospect are confusing. Religious offices?ient.c?br?ici for the continuation of El?ore de Tol?, ?use of Cosme I. The walls and the vo?s are covered with the frescos of Andrea Bonaiuto. Further, the clo?e of deaths bears its name well, since it contains the tombs of the greatest florentines families. It is situ?ans the old Dominican convent of Saint-Marc. The?fice?v?r? with the m?nat of Cosme the Old one, exalte the harmony and the rationalit?ropres?' architecture of Quatrocentto. It shelters les.oeuvres of the Dominican monk... the artist will d?ra in particular the vault of the pape.Nicolas.V in the Vatican. Attach? the Gothic tradition, it has adopt?a composition in triptych. Are its frescos of v?tables acts of faith?ge are all orn? frescos sign? hand of the artist. Was R?is?avec smoothness and l?ret?elle used as MOD? ?e many others biblioth?es. With will the int?or, you find beautiful manuscripts enlumin?